“I feel like the Indiana Jones of the guitar world,” says the globe-trotting fingerpicker. “I’m on this wild journey, just making it up as I go, and I’m thrilled that so many people are having fun joining along with me.”

It should come as little surprise that Emmanuel’s extraordinary new album, Living in the Light, is easily the most daring—and most rewarding—collection in the Grammy-winner’s remarkable catalog. While many of the recordings are solo instrumentals, Emmanuel lends his voice to several of the album’s tracks, as well, grounding his dazzling, percussive fretwork with a poignant dose of warmth and vulnerability. The result is a record as exhilarating as it is intimate, a virtuosic blend of acoustic pop, jazz, classical, and roots music delivered by a master craftsman with a penchant for living on the edge.

Hailed as “one of the best acoustic guitarists in the world” by NPR’s World Cafe, Tommy Emmanuel got his start at the age of six, when he first began touring his native Australia with his family’s band. As a teenager, he earned a reputation as a highly sought after sideman and session player, and by his early twenties, Emmanuel was playing on chart-topping hits and performing with acts like Air Supply and Men at Work. Inspired in part by his hero, Chet Atkins (who would later become a friend, mentor, and collaborator), Emmanuel stepped out on his own as a solo artist in 1979, releasing the first in a string of acclaimed instrumental albums that would make him an unlikely celebrity in his home country and beyond. In the decades that followed, he would go on to headline everywhere from the Sydney Opera House to Carnegie Hall; tour with luminaries like Eric Clapton and John Denver; win a Grammy Award for Best Instrumental Arrangement; perform for a televised audience of more than two billion at the Sydney Olympics; and collaborate with a who’s who of fellow guitar greats, including Les Paul, Mark Knopfler, Joe Walsh, Richard Thompson, Jason Isbell, and Billy Strings. 

“I never felt like I needed to prove anything,” Emmanuel muses. “I’m always trying to get better, of course, but all I’ve ever cared about is entertaining people. If the ideas are flowing and the audience is having a good time, that means more to me than any awards or reviews ever could.”